libreria specializzata in arte e architettura
english

email/login

password

ricordami su questo computer

invia


Hai dimenticato la tua password?
inserisci il tuo email/login qui sotto e riceverai la password all'indirizzo indicato.

invia

chiudi

ricerca avanzata

chiudi

OFFERTA DEL GIORNO

Felice Palma. Massa 1583-1625. Collezione / Collection.

Testi di Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

prezzo di copertina: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Costo totale: € 160.00 € 314.49 aggiungi al carrello carrello

Libri compresi nell'offerta:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Testi di Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

OMAGGIO (prezzo di copertina: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Testo Italiano e Inglese.
Ospedaletto, 1992; ril., pp. 153, 10 ill. b/n, 60 ill. col., cm 24x29.
(Immagine).

OMAGGIO (prezzo di copertina: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

A cura di Nesi A.
Firenze, 2009; br., pp. 191, 102 ill. b/n, 7 ill. col., cm 17x24,5.
(Museo Stefano Bardini).

OMAGGIO (prezzo di copertina: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 voll., ril. in cofanetto, pp. 729, ill., tavv. col., cm 21,5x30,5.

OMAGGIO (prezzo di copertina: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Salvator Rosa. Friendship and the Free Artist in Seventeenth-Century Italy

Harvey Miller Publishers

Testo Italiano e Inglese.
London, 2018; ril., pp. 528, 210 ill. b/n e col., tavv., cm 23x30,5.
(Studies in Baroque Art. 9).

collana: Studies in Baroque Art

ISBN: 1-912554-04-6 - EAN13: 9781912554041

Soggetto: Pittura,Pittura e Disegno - Monografie,Saggi (Arte o Architettura)

Periodo: 1400-1800 (XV-XVIII) Rinascimento

Testo in: testi in  inglese, italiano  testi in  inglese, italiano  

Peso: 0.38 kg


This book examines the Neapolitan painter and satirist Salvator Rosa (1615-1673) from a new perspective. Preoccupied with a performative brand of self-manufacture that is everywhere apparent in his work as an artist, satirist and actor, Rosa was a key protagonist in a period of significant social change.
This book examines the Neapolitan painter and satirist Salvator Rosa (1615-1673) from a new perspective. Preoccupied with a performative brand of self-manufacture that is everywhere apparent in his work as an artist, satirist and actor, Rosa was a key protagonist in a period of significant social change. A precursor of the modern independent artist, Rosa was also among the first of his generation to actively seek and in many ways achieve the kind of professional autonomy his predecessors desired and his successors fully accomplished. The author argues that the social bond of friendship-its rituals and discourses-was vital to both Rosa's self-conception and his achievements. Five chapters explore this phenomenon in connection with various contexts central to Rosa's professional practice and identity: theatrical performance; the academy; the practices of conversation, letter writing and poetry; the ritual of gift-giving and the cultivation of the topos of "the friend as a second self," here considered in relation to a portrait painted for a friend; and the art market. The book also responds to and outlines for the reader the current state of scholarship on Rosa, a field of study that has gained significant momentum in the last decade and to which the book itself seeks to make a meaningful contribution.
From 2013, Alex Hoare has been Lecturer in Early Modern Art at the University of Bristol, where she teaches undergraduate and graduate courses in Renaissance and Baroque topics. After graduating from Toronto, she held a three-year post-doctoral fellowship as Research Associate at CASVA (Center for Advanced Study in the Visual Arts), National Gallery of Art, Washington DC, where she worked with visiting scholars and the Dean on a series of research projects and publications, including the two first volumes of a new critical edition and translation of Carlo Cesare Malvasia's Felsina Pittrice.

COMPRA ANCHE



OFFERTE E PROMOZIONI
€ 175.00

spedito in 2/3 sett.


design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci

Interessato ai nostri libri?

Allora iscriviti alla nostra newsletter!
Sarai informato delle nostre novità, potrai comunque cancellarti quando desideri.

modulo di iscrizione