Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
A cura di Orlando Anna e Francesco Rotatori.
Genova, 2023; br., pp. 304, ill. col., cm 23x29.
prezzo di copertina: € 150.00
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Libri compresi nell'offerta:
Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere
A cura di Orlando Anna e Francesco Rotatori.
Genova, 2023; br., pp. 304, ill. col., cm 23x29.
OMAGGIO (prezzo di copertina: € 150.00)
Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli
A cura di Emanuele Barletti.
Fotografie di BACHerin Paolo e Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; ril., pp. 844, ill. b/n e col., tavv., cm 24x28,5.
OMAGGIO (prezzo di copertina: € 98.00)
Vincenzo Meucci
Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; cartonato, pp. 304, ill. col., cm 25x29,5.
(Arte).
OMAGGIO (prezzo di copertina: € 50.00)
Gherardo Bosio. Opera Completa 1927-1941
Firenze, 2016; br., pp. 368, ill. b/n e col., cm 23x28.
(Architetti del Novecento. Storia e archivi).
OMAGGIO (prezzo di copertina: € 60.00)
Murillo. Persuasion and Aura
Benito Navarrete Prieto
Harvey Miller Publishers
Testo Inglese.
London, 2021; ril., pp. 340, 14 ill. b/n, 272 ill. col., cm 22,5x30.
(Studies in Baroque Art. 16).
collana: Studies in Baroque Art
ISBN: 1-912554-40-2 - EAN13: 9781912554409
Soggetto: Pittura e Disegno - Monografie
Periodo: 1400-1800 (XV-XVIII) Rinascimento
Testo in:
Peso: 2.02 kg
Murillo has attracted particular attention from historians since the seventeenth century to the present day, though opinions of his oeuvre have varied from period to period. The communicative power of his paintings, both then and now, has led him to be used and exploited for different ends. He deliberately cultivated this quality from the time he became an accomplished artist in his native Seville, where he enjoyed great prestige during his lifetime thanks to the resources of his art, his talent and his ability to elicit emotions and arouse passions. His paintings, as if they were prophecies, can only be understood from a visual culture approach and by analysing what his images provoke. Their seemingly easy and familiar appearance is merely the mirror that Murillo, with his command of local codes and the devices of painting, places in front of viewers to trigger a complex empathetic process designed solely to persuade and seduce them, often anticipating their response.

