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The Fertile Ground of Painting: Seventeenth-Century Still Lifes and Nature Pieces

Harvey Miller Publishers

Testo Inglese.
London, 2020; ril., pp. 280, 200 ill. col., cm 22x30.
(Studies in Baroque Art. 12).

collana: Studies in Baroque Art

ISBN: 1-912554-06-2 - EAN13: 9781912554065

Soggetto: Pittura

Periodo: 1400-1800 (XV-XVIII) Rinascimento

Testo in: testo in  inglese  

Peso: 0.37 kg


Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general.
17th-Century Netherlandish Still Life painting actively participated in the intellectual discourse of natural philosophy and the natural sciences, even though art history until recently described it, somewhat simplifying, as realistic-representative painting. We urgently need a rehabilitation of the notion of Mimesis. The author restarts the discussion, by putting more emphasis on the historical notions of Nature and Image. She examines how mimetic structures acquired a biotic reproductive capacity in the 17th century. Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci