In the House of the Muses. Collection, Display and Performance in the Veronese Palace of Mario Bevilacqua (1536-93)
Laura Moretti
Harvey Miller Publishers
Testo Inglese.
London, 2020; ril., pp. 320, 138 ill. col., cm 22x28.
(In the Shadow of the Lion of St. Mark. 3).
collana: In the Shadow of the Lion of St. Mark
ISBN: 1-912554-44-5 - EAN13: 9781912554447
Soggetto: Collezioni,Collezionismo (Bambole, Chiavi, Giocattoli),Pittura,Saggi (Arte o Architettura)
Testo in:
Peso: 1.58 kg
Mario Bevilacqua was one of the greatest collectors of the second half of the sixteenth century in the territories of the Republic of Venice. He was a true lover of literature and the arts, expressing a deep appreciation for music and an instinctive attraction to antiquities. In the family palace on today's Corso Cavour in Verona renovated in the mid-sixteenth century by the architect Michele Sanmicheli, Bevilacqua set up what early sources describe as a "museum" open to the public. Here it was possible to admire paintings, sculptures, drawings and prints, coins and medals, manuscripts, printed books and musical instruments - all objects collected over the course of approximately twenty-five years, to which Mario dedicated much of his time and resources. The library, also referred to as "studio", was considered one of the richest in the city, while the "galleria" contained masterpieces such as Tintoretto's Paradise now at the Louvre, as well as antique statues and busts of Roman emperors. The famous "ridotto", in which salaried musicians and singers performed regularly, was frequented by citizens and foreigners and enjoyed international renown.
Baia grande. La pialassa Baiona ultima frontiera per una valle salmastra
Eremi del Lazio meridionale. Guida ai luoghi di culto rupestri
Konrad. Per quanto un'oca allunghi il collo non diventerà mai un cigno