Nino Costa (1826-1903). Transnational Exchange in European Landscape Painting
Schmidt Arnika
Silvana Editoriale
A cura di Bernstorff M. V.
Testo Inglese.
Cinisello Balsamo, 2016; ril. in tela, pp. 256, 113 ill. b/n, 88 ill. col., cm 23x31.
(Studi della Bibliotheca Hertziana).
collana: Studi della Bibliotheca Hertziana
ISBN: 88-366-3384-6 - EAN13: 9788836633845
Soggetto: Pittura,Pittura e Disegno - Monografie,Saggi (Arte o Architettura)
Periodo: 1800-1960 (XIX-XX) Moderno,1960- Contemporaneo
Luoghi: Lazio
Testo in:
Peso: 1.76 kg
Dissatisfied with the traditional approaches of Italian academic painters, Costa turned to the international artist community of his native Rome for inspiration. At first, Costa looked to the painters following Jean-Baptiste Corot's poetic approach to realism and then further developed his art working in close contact with English colleagues such as George Mason and Frederic Leighton. A patriot as well as a painter, Costa fought for both the unification of Italy and for a reinvigorated art that appropriately represented his homeland. Alongside his call for a new approach to national art, Costa continued to develop his own artistic practice within a cosmopolitan circle.
As well as tracing the history of Costa's life, this monograph pays particular attention to the cultural contexts of his French, Swiss, German, Italian and English colleagues, an approach that underscores his role as a transnational artist and a catalyst for change in nineteenth-century European landscape painting.
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