(Im)material Michelangelo. Toward a Visual Historiography of Sculpture Between Reproduction and Art-Historical Enquiry
Campisano Editore
A cura di Daniele Di Cola e Giulia Daniele.
Testo Italiano e Inglese.
Roma, 2024; br., pp. 192, 80 ill. b/n e col., cm 16x24.
(Quaderni della Bibliotheca Hertziana. 13).
collana: Quaderni della Bibliotheca Hertziana.
EAN13: 9791280956422
Soggetto: Saggi (Arte o Architettura),Scultura,Scultura e Arti Decorative - Monografie
Periodo: 1400-1800 (XV-XVIII) Rinascimento
Testo in:
Peso: 0 kg
Michelangelo's peculiar way of dealing with materials - his habit of overtly exposing the traces of his working process, his uneven treatment of the surfaces, and his use of fragmented or sketched elements, as described by the well-known poetics of the non finito - raised specific problems and made it necessary to 're-mediate' the originals' materiality. Because of Buonarroti's uninterrupted legacy, the volume considers the continuous mutation of his works' reception over time: from ??th century copies to the miniaturized, decorative, reproductions made in Rodin's time; from the illustrations of Sigmund Freud's essay on the Moses to the photographs published by Erwin Panofsky in his studies on Michelangelo; from video footage in films to worldwide exhibitions, where replicas of the Vatican Pietà are often displayed and admired almost like new originals.
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