Borman. A family of Northern Renaissance Sculptors
Harvey Miller Publishers
A cura di M. Debaene.
Testo Inglese.
London, 2019; ril., pp. 320, 560 ill. col., cm 24x28.
(Studies in Medieval and Early Renaissance Art History).
collana: Studies in Medieval and Early Renaissance Art History
ISBN: 1-912554-41-0 - EAN13: 9781912554416
Soggetto: Scultura e Arti Decorative - Monografie
Periodo: 1400-1800 (XV-XVIII) Rinascimento
Testo in:
Peso: 0.03 kg
"The Best Sculptor" is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world's greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.
Baia grande. La pialassa Baiona ultima frontiera per una valle salmastra
Eremi del Lazio meridionale. Guida ai luoghi di culto rupestri
Konrad. Per quanto un'oca allunghi il collo non diventerà mai un cigno