Telemaco Signorini. Catalogo generale ragionato delle opere
Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.
cover price: € 240.00
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Books included in the offer:
Telemaco Signorini. Catalogo generale ragionato delle opere
Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.
FREE (cover price: € 240.00)
Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere
Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).
FREE (cover price: € 250.00)
Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere
Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).
FREE (cover price: € 250.00)
Fredrik Værslev: open window
AA.VV.
Mousse Publishing
English and Danish Text.
Milano, 2020; 2 vols., paperback, pp. 112, b/w and col. ill., cm 19x29.
ISBN: 88-6749-410-4 - EAN13: 9788867494101
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 1 kg
Comprising two volumes (one English, one Norwegian), Open Window is published on the occasion of Fredrik Værslev's exhibition at the Kunstnerforbundet in Oslo, which celebrates the one hundredth anniversary of the building's skylight room. It brings together a rich selection of archival material with critical essays that retrace the institution's history and connect it to Værslev's oeuvre and the paintings and spatial intervention he produced especially for the show, which reflect on the act of framing and the relationship between painting and architecture. The starting point for the painting series Open Window was a window in the living room in Værslev's former apartment in Drammen, Norway. The frame is an accurate copy of the window-an architectural element that with glass and some filler could be fitted in a house, which also serves as a frame for a painting depicting a view through a window. Echoing the exhibition room's various transformations, Værslev reconstructed its former 1950s chest panel and presented it against the marble floor tiles from the 1980s. The room is a hybrid of different eras, analogous to Open Window's hybridity between painting and architecture.