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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

The Great War. The Persuasive Power of Photography. La Grande Guerre. Le Pouvoir d'Influence De la Photographie

Five Continents Editions

English and French Text.
Milano, 2014; paperback, pp. 144, b/w ill., b/w plates, cm 28,5x28,5.

ISBN: 88-7439-680-5 - EAN13: 9788874396801

Subject: Historical Essays,Photography

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english, french text   english, french text  

Weight: 1.28 kg


World War I was called the "war of the camera." While many earlier wars fought after photography's invention were documented by the medium, WWI represented a turning point. One of the most important changes was the way in which both the Allied forces and the Central Powers used photography as a tool: to spy, to provoke and to persuade. The official photographs made during the war were telling in terms of strategies, censorship and the constant need to whip up public support for the cause. In sharp contrast to the political and military uses, the importance of photography for personal use was undeniable. Studio portraits of soldiers and their families and sweethearts were widely popular; personal photo albums created permanent records of lives that were suddenly placed at risk. This volume and the exhibition it accompanies, bring together a diverse and remarkable selection of photographs drawn from international collections to illustrate the many important roles that photography played during the war.

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