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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Maria Orsic. The Last Truth of Evil. (Diary of a Nazi medium)

Argento Vivo Edizioni

Pomezia, 2024; paperback, pp. 126.
(FuoriClasse).

series: FuoriClasse

EAN13: 9791280613677

Subject: Historical Essays,Societies and Customs

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  italian text  

Weight: 0 kg


The last text in the Trilogy on the Holocaust and Nazi Esoterism by Antonio Masullo focuses on the enigmatic figure of the medium Maria Orsic. An introspective analysis of a character, completely abandoned to historical oblivion, who through the 'diaristic instrument', comes back to life through the inescapable value of Memory. A 'diary' from which emerge secret love affairs with high-ranking members of the Nazi elite, cryptic historical pieces interwoven with mysticism and esotericism; identity reconstructions of certain characters from History, which compose an articulated mosaic, of what has been told for decades and the real motivations of what happened in the salient moments of the Second World War. For the last time, the beloved Jenkins sisters, after several episodes, linked to the search for the ultimate truth of Evil, find themselves again in millenary Anglosia, in the Cilento region, to return to the readers of the Trilogy, the conclusions with a profound spiritual matrix.

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