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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Carlo Dolci. Complete Catalogue of the Paintings

Centro Di

English Text.
Firenze, 2015; paperback, pp. 392, 100 b/w ill., 186 col. ill., cm 24,5x28,5.

ISBN: 88-7038-531-0 - EAN13: 9788870385311

Subject: Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 2.44 kg


Twenty years after its first appearance in 1995, Francesca Baldassari presents a revised and updated edition of her acclaimed monograph on the most important painter of the Florentine Seicento: Carlo Dolci (1616-1687). In the present volume the author provides further insight into Dolci's artistic personality with the aid of unpublished documents and paintings, reconstructing his widespread critical 'fortune', as well as 'misfortune', and dedicating to him essays that interpret his art from a variety of different angles: his early artistic training, the influence of Humanism and Renaissance painting and sculpture, his relationship with Medici patronage, and the far-reaching importance of his own artistic legacy.

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