Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 12.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Marino Marini. Visual Passions. Encounters with Masterworks of Sculpture from the Etruscans to Henry Moore
Barbara Cinelli - Fabio Fergonzi
Silvana Editoriale
Edited by Cinelli B. and Fergonzi F.
English Text.
Cinisello Balsamo, 2017; hardback, pp. 256, 190 col. ill., cm 24,5x28,5.
(Arte).
ISBN: 88-366-3785-X - EAN13: 9788836637850
Subject: Collections,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.79 kg
The post World War II period saw his fame spread abroad and his works enter major international museums and foreign private collections. The purpose of this exhibition catalogue is to establish the visual links that connect Marini's sculpture to the work of major sculptors of the late nineteenth and twentieth-centuries (Rodin, Maillol, Despiau, Lehmbruck, Picasso, Moore).
Despite a long exhibition history and a vast bibliography, Marini has never adequately been studied in terms of the historical and stylistic context of his production. This book sets out to rectify this omission, which alone can establish Marini's proper place in the history of twentieth-century Modernism.

