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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Cosimo II e le Arti di Boboli. Committenza, Iconografia e Scultura

Casa Editrice Leo S. Olschki

Firenze, 2008; paperback, pp. 226, ill., 164 b/w plates, cm 17x24.
(Giardini e Paesaggio. 23. Series directed by Luigi Zangheri and Lucia Tongiorgi Tomasi).

series: Giardini e Paesaggio

ISBN: 88-222-5806-1 - EAN13: 9788822258069

Subject: Gardens and Parks,Sculpture

Places: Florence,Tuscany

Languages:  italian text  

Weight: 0.74 kg


The discovery of an unpublished documentary corpus concerning the Boboli Gardens has enabled this study to almost entirely reconstruct the events of the sculpture workshop, to identify the artists, and to facilitate the collocation of the works within the original iconographic project. Numerous works were recovered including many inspired by rural scenes and the statue of Venus in the "Fontana dell'isola", all previously considered lost. Further details have emerged from the complex personality of Cosimo II and from the social status of sculptors in Florence at that time.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci