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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Felsina Pittrice. Lives of the Bolognese Painters. A critical edition and annotated translation. Volume I. Early Bolognese Painting

Harvey Miller Publishers

Edited by E. Cropper and L. Pericolo.
Italian and English Text.
London, 2010; clothbound, pp. XXVI-536, 7 b/w ill., 150 col. ill., cm 22x28.
(Felsina Pittrice. The Lives of the Bolognese Painters. 1).

series: Felsina Pittrice. The Lives of the Bolognese Painters

ISBN: 1-905375-84-0 - EAN13: 9781905375844

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english, italian text   english, italian text  

Weight: 2.7 kg


In this new critical edition by Lorenzo Pericolo, careful analysis of many literary and archival sources will make it possible to reevaluate Malvasia's status as an historian, and provide new information about the construction of the Felsina pittrice as a book. Malvasia's text presents great difficulties even to modern Italian readers, and a full translation of the Felsina pittrice into English has never been attempted. The goal of the project is to produce a translation that is useful to the general reader while remaining faithful to the complexities of the original. Individual volumes will be published in order of completion. Each of the fifteen volumes proposed will include one or two introductory essays in addition to the critical edition and translation. The series will be extended to include a sixteenth volume with a critical edition and translation of Malvasia's Il Claustro di San Michele in Bosco (1694), accompanied by an essay and historical notes

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