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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Il Mobile Neoclassico in Italia. Arredi e decorazioni d'interni dal 1775 al 1800

Il Mobile Neoclassico in Italia. Arredi e decorazioni d'interni dal 1775 al 1800

Electa Mondadori

Milano, 2005; bound in a case, pp. 495, b/w and col. ill., 109 col. plates, cm 25x28.
(Repertori d'Arti Decorative).

series: Repertori d'Arti Decorative

ISBN: 88-370-2993-4 - EAN13: 9788837029937

Subject: Collections,Essays (Art or Architecture),Painting,Wood (Frames, Carving, Furniture, Tarsia)

Period: 1400-1800 (XV-XVIII) Renaissance,1800-1960 (XIX-XX) Modern Period

Places: Europe

Extra: Neoclassicism

Languages: italian text  

Weight: 3.63 kg


This new title in the series deals with the last quarter of the eighteenth century. The introductory essay to the book sets the historical and artistic scene and this is followed by the usual detailed description of exceptional pieces of the period. From a painstaking examination of the furniture held by museums, historic residences and palaces, organized according to geographical area, there emerge both the major centres and the typical local features. Thus we learn that Rome was the centre in which the Neoclassical style in interior decoration first caught on, through Piranesi, in the mid- seventeenth century. From here the fashion spread throughout Italy.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci

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