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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Siena and the Sienese in the Thirteenth Century

Cambridge University Press

English Text.
Cambridge, 1991; clothbound, pp. 246, cm 17,5x25,5.

ISBN: 0-521-40312-X - EAN13: 9780521403122

Languages:  english text  

Weight: 0.6 kg


This 1991 book portrays the life and institutions of a great medieval Italian city, Siena, through the surviving records and buildings of the period. Laws, council minutes, records of the commune's revenue and expenditure, wills and other charters from the thirteenth century are among the plentiful material which makes up the picture of the city republic's institutions and those who ran them. The main themes are the political institutions of the city, and the involvement of the citizens in them. The religion of the Sienese is also investigated. This is a portrait of a special, but not untypical, society which was engaged in an experiment in oligarchic self-government. Although the milieu was urban, Siena's bankers and tradesmen, craftsmen and those involved in transport and agricultural labour, were in many cases landowners: the city was dependent on and greatly involved with its rural environment. The precocity of the commune's governmental methods and the wealth of information that has survived mean that the medieval life of this famous and beautiful Tuscan city can be depicted in full and convincing detail.

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