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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Roy Lichtenstein. Drawing First. 50 Years of Works On Paper

Skira

Turin, GAM-Galleria Civica d'Arte Moderna e Contemporanea, September 27, 2014 - January 25, 2015.
English Text.
Milano, 2015; clothbound, pp. 260, b/w and col. ill., cm 25x28,5.

ISBN: 88-572-2694-8 - EAN13: 9788857226941

Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 0.57 kg


Written in close collaboration with the Roy Lichtenstein Estate and Foundation, this monograph presents an extraordinary selection of over 200 works on paper by the American artist, from the National Gallery of Washington, DC; the MoMA and the Whitney Museum, New York; the Art Institute of Chicago, as well as public and private European and American collections. Devoted to his works on paper that represent the most private and poetic aspect of Roy Lichtenstein's production, this volume provides the reader with a unique perspective for getting to know and appreciate the artist's oeuvre through the "first works," namely the original ideas that were to be the source of inspiration for his great, world-famous masterpieces. The works on paper are also paired with some important paintings and sculptures, as well as a rich selection of photographs documenting the artist at work. The volume includes texts by Danilo Eccher, Dorothy Lichtenstein, Bernice Rose, Jack Cowart, Thomas Zacharias ("Lichtenstein Draws"), and Andrea C. Theil, a chronology (by Clare Bell), and a list of exhibitions in Italy.

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