La mia piccola cucina
Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.
cover price: € 29.90
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La mia piccola cucina
Illustrations by Soledad.
Translation by Marzano G.
Milano, 2009; paperback, pp. 359, ill., cm 21,5x26,5.
FREE (cover price: € 29.90)
Torte in fiore. Raffinate creazioni floreali in pasta di zucchero
Translation by Destro P. and Tosi L.
Milano, 2014; clothbound, pp. 224, ill., cm 25x29.
(Gli Illustrati).
FREE (cover price: € 35.00)
Orticola di Lombardia. 150 anni di associazione, 20 anni di mostra
Edited by Pizzoni F.
Milano, 2016; bound, pp. 279, ill., cm 24,5x24,5.
FREE (cover price: € 35.00)
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente, Supplemento 11. Ritratti privati greci nellEgitto tolemaico
Elena Ghisellini
Edizioni All'Insegna del Giglio/ Periodici
Italian and English Text.
Borgo San Lorenzo, 2022; paperback, pp. 244, b/w and col. ill., cm 21x31.
(Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente. Supplemento. 11. 2022).
series: Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente. Supplemento
ISBN: 960-9559-30-1 - EAN13: 9789609559300
Subject: Essays on Ancient Times
Period: 0-1000 (0-XI) Ancient World
Languages:
Weight: 1.15 kg
Finally, a terminological clarification. As is well known, there is a lively debate on the meaning of the adjective "private" and on the legitimacy of its use in reference to terms such as portraiture, portraiture, statuary and the like. In our case, the use of the adjective in the proper sense turns out to be misleading because, since the contexts of discovery are almost never known, we do not know whether a portrait was intended for exhibition in a public or private sphere. Here the adjective is therefore used in a conventional way, in the sense of "non-regal", to designate a sculpture that represents an individual who does not belong to the royal family.