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DEAL OF THE DAY

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.

cover price: € 150.00

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Total price: € 150.00 € 358.00 add to cart carrello

Books included in the offer:

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.

FREE (cover price: € 150.00)

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli

Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.

FREE (cover price: € 98.00)

Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli

Vincenzo Meucci

Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).

FREE (cover price: € 50.00)

Vincenzo Meucci

Gherardo Bosio. Opera Completa 1927-1941

Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).

FREE (cover price: € 60.00)

Gherardo Bosio. Opera Completa 1927-1941

chiudi

Il Giardino

Witty Kiwi Books

Italian and English Text.
Torino, 2024; paperback, pp. 128, b/w and col. plates, cm 23x28.

EAN13: 9791280177438

Subject: Photography

Languages:  english, italian text   english, italian text  

Weight: 0 kg


"I went back to my garden.
I like to photograph it, I need it.
Something is changed, A small movement, to the surface.
I haven't moved too much after all." "Il Giardino" continues the journey that has started with "Radici".
As in his previous chapter, the narrative is built by following the urgency of a "need to accumulate": collecting images that surround and testify the author's daily life.
If from one side the language remains faithful to the mechanics of Radici, on the other it introduces new themes. Themes that concern the landscape, the distance between the camera and the subject, and the horizons that derive from it. A new territory, not only intimate, but above all geographical.
Lastly: as for Radici, "Il Giardino" is a series that is born as self-analysis, as a moment for the Self, as a catharsis, and as for any other human analysis it is not a theorem and there are no solutions.
It's just a story.
It's just a story.

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