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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Filippo di Sambuy. Sabaudia Stupinigi Castel del Monte (1999-2005). [Edizione italiana e inglese]

Umberto Allemandi

Italian and English Text.
Torino, 2005; hardback, pp. 72, b/w and col. ill., tavv., cm 29,5x29,5.

ISBN: 88-422-1381-0 - EAN13: 9788842213819

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.92 kg


Sabaudia, and its memories of childhood, is the first stop in a personal and artistic journey taken by the painter Filippo di Sambuy.
A journey that takes us from the new fascist city (that was founded in 1934), and constructed by the young rationalist architects according an almost metaphysical system. It is the metaphysics of De Chirico, fascinated by the geometric regularity of the streets and squares of Turin, where he lived in 1911 and where one finds the Hunting Palace of Stupinigi, the symbol of a regal pomp that Sabaudia had lost by then.
The journey comes to an end at Castel del Monte, a hunting residence like Stupinigi, but also a metaphysical building par excellence; conceived by Emperor Frederick II to have octagonal floors, full of numerical symbology and references of Jerusalem and the East.
Flags, armorial bearings, stars and rose windows are painted or represented in relief by Filippo di Sambuy to accompany accurate cross-references and precise symbology in this historical, artistic and architectural voyage in the search of lost rites and myths.

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