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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

La Ronda de Noche

Waanders Uitgevers

Spanish Text.
Zwolle, 2002; pp. 48, 35 b/w ill., 25 col. ill., cm 21x26.

ISBN: 90-400-9670-8 - EAN13: 9789040096709

Languages:  spanish text  

Weight: 0.24 kg


'Portrait the captain and the lieutenant among their civil quards.' must have been the approximate assignment given to Rembrandt van Rijn (1606-1669). Although this commission differed little from other commissions for civil quard group portraits, The Nightwatch painted in 1642, is more exciting and original than any of the others of this genre. This Dossier discussus Rembrandt's masterpiece in great detail. Everything is addressed, from the commission Rembrandt received to his unequalled painting technique and from Rembrandt's exceptional handling of light to the painting's reputation down through the centuries

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci