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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Michiel Van Musscher (1645 -1705). The Wealth of the Golden Age

Waanders Uitgevers

Amsterdam, Museum van Loon, 9 march - 10 june 2012.
English Text.
Zwolle, 2012; paperback, pp. 80, b/w and col. ill., cm 24x27.

ISBN: 90-400-0721-7 - EAN13: 9789040007217

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Places: Europe

Languages:  english text  

Weight: 0.41 kg


It is the first exhibition of the work of Van Musscher. It is also the first exhibition to take place in the recently opened coach house of the museum, which makes it possible to view the collection family portraits in the canal house as well. At the end of the 17th century Van Musscher was a successful portraitist. Swedish architect Nicodemus Tessin, visiting the capital in 1687, deemed him the very best Amsterdam painter for small portraits. His portraits hung literally door to door in the Golden Bend of the Amsterdam Herengracht. Next to many Amsterdam regents he also portrayed Tsar Peter the Great. Van Musscher's portraits are painted in the tradition of Netscher and Van Mieris. His work is of an unequalled quality and shows a great richness in details. From the exuberant way the Dutch elite had themselves displayed the wealth of the Golden Age is amply highlighted. The exhibition of Michiel van Musscher shows not only his more famous paintings from Dutch collections and the museum itself, but also a significant number of paintings from private collections and international museums. The exhibition is a tribute to the work of Van Musscher and visualizes the latter days of the Dutch Golden Age.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci