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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Enrico Castellani, 1958-1970. [English edition]

Fondazione Prada

Milano, Fondazione Prada, April 26 - June 14, 2001.
Translation by Sartarelli S. and Stanton D.
English Text.
Milano, 2001; paperback, pp. 362, ill., cm 24x31,5.

ISBN: 88-87029-20-2 - EAN13: 9788887029208

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 2.27 kg


Curated by Germano Celant, the exhibition has been organized in collaboration with the artist and contains about seventy works from public and private collections, both in Italy and abroad, illustrating Castellani?s output from 1958 to 1970. The exhibition is characterized by a specifically historical approach, focusing particularly on the first part of the artist?s career. Beginning with experimentation into the expressive potential of the two-dimensional surface of the canvas, this concluded with Spazio Ambiente (Environment Space) of 1970 (a reconstruction of Ambiente bianco [White Environment] of 1967), an imposing ?environmental vision?* attesting to the artist?s new-found interest in the surrounding space. The works from European museums ? some of them never previously exhibited ? comprise paintings and three sculptures, and are displayed in chronological order in nine large rooms. Three works that formed part of the one-man show devoted to Castellani at the Venice Biennale of 1966 are once again on display together: Superficie bianca 31 (White Surface 31, 1966);
Superficie bianca 33 (White Surface 33, 1966); Superficie bianca 35 (White Surface 35, 1966).

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci