Telemaco Signorini. Catalogo generale ragionato delle opere
Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.
cover price: € 240.00
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Books included in the offer:
Telemaco Signorini. Catalogo generale ragionato delle opere
Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.
FREE (cover price: € 240.00)
Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere
Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).
FREE (cover price: € 250.00)
Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere
Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).
FREE (cover price: € 250.00)
La Perversión De lo Clásico: Anarquía De Los Relatos. 55th International Art Exhibition, la Biennale di Venezia. the Republic of Cuba Pavilion
Giacomo Zaza - Jorge Fernández Torres
Maretti Editore
Translation by M. Castellani and MacGibbon J.
Curated by Jorge Fernández Torres, Giacomo Zaza.
Italian, English and Spanish Text.
Falciano, 2013; clothbound in a case, pp. 352, b/w and col. ill., tavv., cm 23x27.
ISBN: 88-89965-91-6 - EAN13: 9788889965917
Subject: Collections,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Painting,Photography,Sculpture
Period: 1960- Contemporary Period
Extra: New Media
Languages:
Weight: 2.22 kg
Abstract from the texts by the curators "The two wide-world most important arts events have been geared toward the retrieving of a holistic view of the current reality. I mean Documenta 13 and the 55th Edition of the Venice Biennial. The first one's chief curator, Carolyn Christov- Bakargiev, tried to create a community of knowledge that would allow to rewrite the present in order to think about the future. Her interest got underway with emphasizing knowledge from the perspectives opened up by biologists, philosophers and quantum physicists along with investigations coming from art. It was a way to call into question the foundations of the generalized crisis of models and to outline an alternative for a new world.[...]" Jorge Fernández Torres