Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
cover price: € 50.00
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Books included in the offer:
Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.
Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).
FREE (cover price: € 50.00)
Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850
Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.
FREE (cover price: € 60.00)
L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale
Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).
FREE (cover price: € 44.00)
Vittorio Gregotti. Autobiografia del XX secolo
Gregotti Vittorio
Skira
Nuova Ristampa 2007.
Milano, 2006; paperback, pp. 288, 63 b/w ill., 52 col. ill., cm 16,5x19,5.
(Architettura. Monografie).
series: Architettura. Monografie
ISBN: 88-7624-551-0 - EAN13: 9788876245510
Subject: Architects and their Practices,Essays (Art or Architecture)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages:
Weight: 0.44 kg
"I graduated in architecture in 1953, just at the half way point of the century, and then I worked as an architect for over fifty years. This has placed me in a particularly strategic position: a participant and observer, impassioned and partisan, during the second half of the twentieth century, yet also in a position to meet many of the protagonists of the first half of the twentieth century personally, and to see the architecture and read books regarding the formation of modern architecture and its crisis with the same passion and partiality.
I would like to offer a testimony of this, though they are rather incomplete sketches, without any pretensions of providing an overall historical judgement of a century that was as tragic in its events as it was glorious for architecture, it seems to me that the influence of its tradition is far from spent. These are fragments from memories of extraordinary people who were important and certainly not only for my work as an architect.
Naturally this opens a complicated interplay of memories (and further adjournment of memories, as each one of these encounters could be the subject of a whole book) and the present day points of view on them. Opinions and choices therefore are those dictated by the bias of the twenty-first century in an incurable European context. Discontinuous memories, therefore, in space and time are conceived as in indispensable terrain with which to solidly get into touch before setting out on any journey."