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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Arnolfo's moment. Acts of an International Conference (Firenze, 26-27 maggio 2005)

Casa Editrice Leo S. Olschki - Riviste

Edited by Friedman D., Gardner J. and Haines M.
Florence, Villa i Tatti, Acts of an International Conference, May 26-27, 2005.
Firenze, 2009; bound, pp. XXXVI-302, ill., cm 17x24.
(Villa i Tatti. 23).

series: Villa i Tatti

ISBN: 88-222-5820-7 - EAN13: 9788822258205

Subject: Architects and their Practices,Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture

Period: 0-1000 (0-XI) Ancient World,1000-1400 (XII-XIV) Middle Ages

Extra: Bizantyn Art

Languages:  italian text  

Weight: 1.18 kg


Arnolfo di Cambio, from the Tuscan town of Colle val d'Elsa, was to become one of the most cosmopolitan artists of the Italian peninsula during the pivotal decades 1270-1310. His employment by the Angevin kings of Naples, the Papacy and its Roman entourage and by the Central Italian communes such as Perugia and Florence, calling upon his skills as an inventive and expeditious sculptor, affected all the visual arts and eventually led to his appointment to the influential role of head architect of the new cathedral of Florence. The artist's achievements exemplify the fertile interaction of classical and gothic influences that characterized the reflowering of Italian art, language and society in this dynamic moment. On the occasion of the Arnolfo di Cambio VIII centenary celebrations a group of scholars gathered at Villa I Tatti to share the challenge of interpreting his art, its patronage and its significance in their historical contexts, searching for new perspectives in an interdisciplinary program of studies. This volume presents the multifaceted results of their dialogue.

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