Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 12.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
The Playful Middle Ages. Meanings of Play and Plays of Meaning. Essays in Memory of Elaine C. Block
Hardwick P.
Brepols Publishers
English Text.
Turnhout, 2011; hardback, pp. 357, 40 b/w ill., cm 15x23.
series: Medieval Texts and Cultures of Northern Europe (TCNE 23)
ISBN: 2-503-52880-5 - EAN13: 9782503528809
Subject: Essays (Art or Architecture)
Period: 1000-1400 (XII-XIV) Middle Ages
Languages:
Weight: 0.59 kg
These twelve papers celebrate the work of Elaine C. Block, whose dedicated study of misericords has, through countless articles and books, made the riches of this dizzying iconographic resource easily available to scholars for the first time. Her monumental Corpus on Medieval Misericords volumes will no doubt inform medieval scholars for generations to come, and those included in the present collection are both proud and grateful to be of the first generation to benefit from her work on this body of carvings which challengingly - and playfully - straddles the sometimes invisible line between the sacred and profane.

