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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

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Corpus Speculorum Etruscorum. USA. Vol. 5. West Coast Collections. Etruscan Mirrors

Libreria Editrice L'Erma di Bretschneider

Illustrations by Forbes B.
English Text.
Roma, 2021; hardback, pp. 182, 71 b/w ill., 92 b/w plates, cm 23x32.
(Corpus Speculorum Etruscorum. USA. 5).

series: Corpus Speculorum Etruscorum. USA

ISBN: 88-913-2185-0 - EAN13: 9788891321855

Subject: Collections,Essays on Ancient Times,Glass

Period: 0-1000 (0-XI) Ancient World

Languages:  english text  

Weight: 0.612 kg


This fascicle of the Corpus Speculorum Etruscorum, which has been long in the making, is a collaborative effort between colleagues and friends: Evelyn Bell and Helen Nagy. Evelyn Bell contributed the catalogue entries on the mirrors in the Phoebe A. Hearst Museum of Anthropology at the University of California, Berkeley, and the Frank V. de Bellis Collection at San Francisco State University. Helen Nagy was responsible for the catalogue entries on the mirrors at the Los Angeles County Museum of Art; the J. Paul Getty Museum; the Santa Barbara Museum of Art; the Art Museum at the University of California, Santa Barbara; and the Seattle Art Museum.

Analysis of the chemical composition of the mirrors is an invaluable tool to help scholars determine where the mirrors were manufactured and whether or not they are Etruscan, Roman, or even authentic works of art. Six of the mirrors in Berkeley were analyzed, while the remaining twelve were unfortunately either too fragile or corroded to allow for sampling. The mirrors in the Los Angeles County Museum of Art, the J. Paul Getty Museum, the Santa Barbara Museum of Art, the University of California, Santa Barbara, and the Seattle Art Museum were tested, the one at San Francisco State University was not. Jesse Obert, a scholar and doctoral candidate at the University of California, Berkeley, has ably summarized the results of these analyses.

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