Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
The New American Abstraction 1950-1970
Humblet Claudine
Skira
English and French Text.
Milano, 2007; 3 vols., bound in a case, pp. 2096, b/w and col. ill., tavv., cm 25x29.
(Arte Moderna. Cataloghi).
series: Arte Moderna. Cataloghi
ISBN: 88-6130-072-3 - EAN13: 9788861300729
Subject: Design,Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Painting,Sculpture
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Out of Europe
Extra: Impressionism/Expressionism,US Art
Languages:
Weight: 12.85 kg
This deluxe 3-volume edition, including shoulder-strap case, offers an engaging, visually stunning and highly informative analysis of the forty-nine artists featured in over nine hundred full-colour plates.
The title of this work takes its inspiration from Towards a New Abstraction, the catalogue of an exhibition organised by Ben Heller in 1963 at the Jewish Museum in New York, which brought together artists such as Frank Stella, Paul Brach, Kenneth Noland and Raymond Parker.
The theme unites the artists of this "New Abstraction" through their spirit, as opposed to the "spirit of the times" reflected in other movements such as Minimalism and Pop Art. "New Abstraction" is not to be taken as a movement (some evidence clearly shows the importance of Abstract Expressionism for some) but as a meeting of attempts in structure that created attraction rather than grouping. There is no single Zeitgeist;, apart from its somewhat complex origins, "New Abstraction" was intersected at the time with other impulses and currents, in particular with Neo-Dadaism, the outset of Minimalism and process art.
This major achievement is an authoritative contribution to what has been called "New Abstraction" and an essential addition to any collection on 20th century art.

