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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Jacoba van Heemskerck van Beest. 1876-1923. Schilderes uit roeping

Waanders Uitgevers

Dutch Text.
Zwolle, 2005; clothbound, pp. 296, 250 b/w ill., 150 col. ill., cm 22x28.

ISBN: 90-400-9064-5 - EAN13: 9789040090646

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Places: Europe

Languages:  other text  

Weight: 1.53 kg


This monograph, titled Jacoba van Heemskerck van Beest 1876-1923, schilderes uit roeping, focuses on the life and work of the avant-garde artist Jacoba van Heemskerck. For more than ten years she occupied a prominent position in the world of modern art in the Netherlands. During a relatively short creative period in the early decades of the twentieth century, her versatile oeuvre, consisting of paintings, drawings, graphic works, stained glass windows and glass mosaics, underwent an exciting development from figuration to abstraction.
Her innovative artistic works from that time show an unmistakably spontaneous identity and character. Trees and sailing boats are motifs which recur frequently. Van Heemskerck worked in The Hague and Domburg. After 1913 she became part of the expressionist avant-garde group 'Der Sturm' in Berlin, where Herwarth Walden was the dominant figure. Stimulated by painters such as Mondriaan and Kandinsky, Van Heemskerck followed her own path, guided by the spiritual insights of Rudolf Steiner, which took her work to almost total abstraction. The stained glass windows she made for public buildings, in which she depicted her ideal of a spiritual world, are a high point in her oeuvre.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci