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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

From Byzantium to Holy Russia. Nikodim Kondakov (1844-1925) and the Invention of the Icon

Libreria Editrice Viella

Translation by Melker S.
English Text.
Roma, 2017; paperback, pp. 300, ill., 32 col. plates, cm 17x24.
(Studia Artium Medievalium Brunensia).

series: Studia Artium Medievalium Brunensia

ISBN: 88-6728-752-4 - EAN13: 9788867287529

Subject: Essays (Art or Architecture),Painting,Societies and Customs

Period: 0-1000 (0-XI) Ancient World,1000-1400 (XII-XIV) Middle Ages

Places: Out of Europe

Extra: Bizantyn Art

Languages:  english text  

Weight: 0.5 kg


Tracing the life and work of Nikodim Kondakov, a pioneer in the field of late Antiquity and Byzantium in eastern Europe, this biography is a true tale of adventure. It follows the complicated and challenging events in Kondakov's life before and after the Russian Revolution, from his humble beginnings to his university studies and analyzes his inspired creation of an innovative and precocious study of art history in Russia. From a brilliant and successful career to the trauma endured during the Russian Revolution, the story becomes one of wandering and dependence; nevertheless, and in spite of the shift in history and in his own life, Kondakov's studies sketch a vast geography of Late Antique and medieval culture from the Mediterranean to the Urals. The work approaches distant horizons, giving a glimpse of the migrations from Asia and the inception of medieval Europe with its Christian values; and it travels the paths of history along trails marked by artifacts and monuments. Reconstructing the personal and existential events in Nikodim Kondakov's life contributes to the understanding of a critical phase in the founding of art history and, more broadly, the histories of Russia and of the countries the scholar traversed during a long life filled with tribulations.

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