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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

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The Vandermecum of Julius Van Der Sfaren

King Koala Press

English Text.
Milano, 2024; paperback, pp. 46, col. ill., col. plates, cm 15x21.

EAN13: 9791281835023

Languages:  english text  

Weight: 0 kg


Mythological character, adventurer, explorer of alternative cultures and peculiar worldviews, this collector and eccentric Italian of Dutch origins wants to describe cities from a purely positive point of view. Sfaren, as in a sort of travel diary, will select different cities in the world, telling their secrets, talking about wonderful little places and the most unknown stories.
In this issue, the city of Milan. The Vandermecum will never be a positive postcard of gentrified cities or showcase urban spaces. Without any controversy, Sfaren will only tell us about hidden and therefore precious places.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci