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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Arte e scienza. Art and science

Artestampa Edizioni

Modena, 2021; paperback, pp. 60, ill., cm 21,5x21,5.

ISBN: 88-6462-846-0 - EAN13: 9788864628462

Languages:  italian text  

Weight: 1 kg


My works in this book represent the seemingly simple leap from rectangular photos (not manipulated via software) to shaped shapes. This is the result of my creativity and therefore, in neurophysiological terms, of the bottom-up process towards the top-down process. One critic (Mario Napoli - Satura, Genoa) defined my works as sculpture-like, as they are shaped and therefore have shapes not related to classical photographic geometry.

The works in this book are the consequence of the photographic research Watch and Image (Ed. ARTESTAMPA Modena) (5) and the Hallucinations (Ed. Franco Rosso Trieste) (6).

In short, the works presented in the book could be considered as symphonies of shapes and colors, the result of a brain processing.

Result that derives from years of sensorial perceptions as a space-time summation of different stimuli entering in my brain (bottom-up) which in turn elaborated and produced the result in exit from my brain (top-down),F1.

Leopoldo Bon

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