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DEAL OF THE DAY

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).

cover price: € 50.00

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Total price: € 50.00 € 154.00 add to cart carrello

Books included in the offer:

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).

FREE (cover price: € 50.00)

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850

Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.

FREE (cover price: € 60.00)

Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).

FREE (cover price: € 44.00)

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

chiudi

Luca Coser. Storia d'Amore Senza Titolo

Manfredi Edizioni

Edited by Ferrari D.
Italian and English Text.
Imola, 2022; hardback, pp. 225, b/w and col. ill., col. plates, cm 24,5x28,5.

EAN13: 9791280049605

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1 kg


In the excursus pursued by Andrea Facco, what emerges is that his approach to the problems of art and representation always occurs using the art of painting: without ever disavowing techne, but, on the contrary, putting doing on an equal and complementary level to thinking. As we try to understand the logic of his work, to identify the underlying reason that drives a form of research that is essentially narration through images, we are confident when affirming that painting is always at the centre of his poetics. After all, if we were to classify his work according to the logic of contemporary art, we would have to define him as a conceptual artist who does not forgo painting, but above all one who knows how to paint with exceptional skill.
His, therefore, is praise for painting; an apology with a hint of the outdated, in some cases, articulated in sequences, passages from an amorous discourse that began for Facco in the distant times of his first drawings and that has gradually become more complex, as his mind entered the pictorial device, disassembling the mechanism that regulates it.

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