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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

MLAC index 2000-2012. Museo Laboratorio di Arte Contemporanea

Gangemi Editore

Roma, 2013; paperback, pp. 416, b/w and col. ill., tavv., cm 15x21.
(Arti Visive, Architettura e Urbanistica).

series: Arti Visive, Architettura e Urbanistica

ISBN: 88-492-2470-2 - EAN13: 9788849224702

Subject: Design,Essays (Art or Architecture),Photography,Sculpture

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Extra: New Media

Languages:  italian text  

Weight: 0.65 kg


Since 1986, the MLAC Museum of Contemporary Art Lab, situated inside the Sapienza University of Rome represents a reference and meeting point among artists, art historians, curators and students. With more than 300 events over the last decade, the MLAC is among the most interesting on the international scene for its museum and educational format intended to assert the centrality of the direct relationship with the artist and the work of art. As defined by Simonetta Lux who created and guided it during these years, the MLAC is a relational micro-territory ahead of its time and unique for its ability to combine education, scientific research, historical-critical and artistic creation processes. At the MLAC, an exhibition was never just a show: interactive lessons, meetings with artists, roundtables, publications and reportages have systematically enhanced the exhibition period by helping to shed light on the complex and difficult artistical creation and critical action processes. Through the essays of those who designed and administered it, and through those trained as curators and art historians, this book outlines the history, project and format of its first phases and activity centres (1986-2000), with a focus on the last 12 years, chronicled through a fully illustrated critical, thematic and chronological repertoire: the MLAC Index 2000-2012.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci