Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Giuseppe Chiari. 1. Musica e segno
M. Rita Sbardella
Gli Ori
Italian and English Text.
Co-Editore: Armanda Gori Arte.
Pistoia, 2003; paperback, pp. 248, ill., cm 24x33.
ISBN: 88-7336-066-1 - EAN13: 9788873360667
Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Music
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages:
Weight: 1.66 kg
In 1950 he dedicated himself to music composition. In 1961, together with Pietro Grossi, he established the Vita Musicale Contemporanea Association.
Together with Sylvano Busotti, he coordinated Musica e Segno, a exhibition on musical graphics. The exhibition was repeated many times, starting in Rome at the Numero Gallery to reach. after a long tour, the Creative and Performing Arts Center in Buffalo.
In 1962 he become a member of the New York "FLuxus Movement".
He contributed to reviews such as Marcatrè and Collage.
He took part in the musical section in the Gruppo '70, a group of concrete poets.
In 1965 he is in Paris called by the Centre de Musique.
During the same year he performed at the Museum XX Jahrhunderts in Wien.
In 1960 he was invited to Berlin by the Film-und Fersehen Akademie.
Im 1969 he was one of the lecturers at the Seminario di Musica d'Avanguardia promoted by the Biennale in Venice.
As a composer, he is a member of the Sindacato Musicisti Italiani and his Copyright is protected by the Società Italiana Autori Editori

