Alphonse Mucha
Firenze, Spedale degli Innocenti, October 30, 2023 - February 28, 2024.
Edited by Sato T.
Milano, 2023; hardback, pp. 208, 100 col. ill., cm 24x28.
cover price: € 35.00
|
Books included in the offer:
Alphonse Mucha
Firenze, Spedale degli Innocenti, October 30, 2023 - February 28, 2024.
Edited by Sato T.
Milano, 2023; hardback, pp. 208, 100 col. ill., cm 24x28.
FREE (cover price: € 35.00)
Thomas Gainsborough (1727-1788)
Ferrara, Palazzo dei Diamanti, June 7 - August 30, 1998.
Ferrara, 1998; clothbound, pp. 244, 98 b/w ill., 90 col. plates, cm 23x30.
FREE (cover price: € 55.00)
Da Canaletto a Constable. Vedute di Città e di Campagna dallo Yale Center For British Art
Ferrara, Palazzo dei Diamanti, February 25 - May 20, 2001.
Ferrara, 2001; paperback, pp. 198, 60 col. plates, cm 23x30.
FREE (cover price: € 44.93)
Il cubismo. Rivoluzione e tradizione
Ferrara, Palazzo dei Diamanti, October 3, 2004 - January 9, 2005.
Ferrara, 2004; paperback, pp. 311, b/w and col. ill., 90 numbered col. plates, cm 23x31.
FREE (cover price: € 50.00)
Miró. La terra
Ferrara, Palazzo dei Diamanti, February 17 - May 25, 2008.
Ferrara, 2008; paperback, pp. 224, 68 b/w ill., 82 col. ill., col. plates, cm 23,5x30,5.
FREE (cover price: € 47.00)
Da Braque a Kandinsky e Chagall. Aimè Maeght e i Suoi Artisti
Ferrara, Palazzo dei Diamanti, February 27 - June 2, 2010.
Translation by Archer M.
Ferrara, 2010; paperback, pp. 192, b/w and col. ill., tavv., cm 23,5x31.
FREE (cover price: € 47.00)
Remotti di Carta
Marziani Gianluca
Carlo Cambi Editore
Roma, Macro, February 17 - March 30, 2016.
Poggibonsi, 1996; paperback, pp. 132, b/w ill., cm 30x21.
ISBN: 88-6403-218-5 - EAN13: 9788864032184
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Masterpiece,Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 0.67 kg
Remotti was the atavistic voice of Rome, an archaeological and futurist cry, a militant option between rule and lack of moderation. He was everything and he was the opposite of almost everything, he was the border and the contamination, he was the oral skid, the sacred and the profane, the high and the low parts but also the intermediary, when it is necessary.
An artist writing images without an apparent effort, following the red line of the heart: this book is the proof of that, it is a trip where drawings emotionally sticks to the actor and to the poet. Line and style are the identity document of this original artist, of its organs and his figurative cloths.