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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Virtual restoration 2. The frescoes of the rock-cut church of Lama D'Antico at Fasano.

Libreria Editrice L'Erma di Bretschneider

English Text.
Roma, 2020; paperback, pp. 168, 110 b/w ill., cm 16x23.
(Studia Archaeologica. 241).

series: Studia Archaeologica

ISBN: 88-913-1972-4 - EAN13: 9788891319722

Subject: Painting,Restoration and Preservation

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 0.81 kg


This second book of the "Virtual Restoration" series stands as a natural, or philological, continuation of the previous volume "Virtual restoration 1. Paintings and Mosaics" published in 2017. In the first book, in fact, the general issue of virtual restoration applied to pictorial and mosaic surfaces was presented through 38 case studies that dealt with specific problems: from surveying to the representation of surfaces, from degradation mapping to color analysis, from lacunae treatment to virtual reconstruction, up to surface diagnostic analysis and stylistic restoration. This second volume, instead, is the result of a research conducted for several years within the rock-cut church of Lama d'Antico at Fasano (Puglia, Italy) and aims to illustrate all the applications used in the field of virtual pictorial restoration in a single context. This research has allowed not only to reconstruct the frescoes in a virtual environment, through the creation of the first part of the "Virtual Museum of Rock Churches" in the area of Fasano (known as "Lama D'Antico Experience"), but also to review the iconography of the same frescoes by providing, thanks to the possibilities offered today by the Information and Communication Technologies (ICT), new interpretations for the study of medieval painting in Puglia.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci