De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
|
Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Joos van Cleve. A Sixteenth-Century Antwerp Artist and his Workshop
Micha Leeflang
Brepols Publishers
English Text.
Turnhout, 2015; clothbound, pp. 350, 100 b/w ill., 70 col. ill., cm 21x29.
(Me Fecit (MEF 8)).
series: Me Fecit (MEF 8)
ISBN: 2-503-55436-9 - EAN13: 9782503554365
Subject: Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 1.71 kg
More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship.
Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer.
The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century.

