The Façade Reliefs of Orvieto Cathedral
Harvey Miller Publishers
English Text.
London, 2010; clothbound, pp. 245, 164 b/w plates, cm 22x28.
(Studies in Medieval and Early Renaissance Art History. HMSAH. 57).
series: Studies in Medieval and Early Renaissance Art History. HMSAH
ISBN: 1-905375-27-1
- EAN13: 9781905375271
Subject: Religious Architecture/Art
Places: Umbria and Marche
Languages:
Weight: 1.48 kg
This book presents in word and image the façade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful and powerful of the Trecento. The town of Orvieto, located half-way between Rome and Florence, played an important and strategic role in the political struggles in Italy during the latter part of the thirteenth century. Frequently the place of residence for popes and their Angevins allies, it became the seat of the Curia under Pope Nicholas IV, which brought wealth and economic growth to the community. Moreover, it enabled earlier plans for a new cathedral, initiated around 1285, to be finally realised. It was Pope Nicholas himself who laid the foundation stone of the new Duomo in 1290, and although building activity continued until well into the seventeenth century, most of the main portion of the building was complete by 1308, creating a dazzling and unique Gothic structure. The façade of the Cathedral in particular, is a masterpiece of design and relief sculpture. Its rich decorative carving is of outstanding quality and the innovative, compelling iconographic programme spreads across all four piers of the lower façade.