Alphonse Mucha
Firenze, Spedale degli Innocenti, October 30, 2023 - February 28, 2024.
Edited by Sato T.
Milano, 2023; hardback, pp. 208, 100 col. ill., cm 24x28.
cover price: € 35.00
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Books included in the offer:
Alphonse Mucha
Firenze, Spedale degli Innocenti, October 30, 2023 - February 28, 2024.
Edited by Sato T.
Milano, 2023; hardback, pp. 208, 100 col. ill., cm 24x28.
FREE (cover price: € 35.00)
Thomas Gainsborough (1727-1788)
Ferrara, Palazzo dei Diamanti, June 7 - August 30, 1998.
Ferrara, 1998; clothbound, pp. 244, 98 b/w ill., 90 col. plates, cm 23x30.
FREE (cover price: € 55.00)
Da Canaletto a Constable. Vedute di Città e di Campagna dallo Yale Center For British Art
Ferrara, Palazzo dei Diamanti, February 25 - May 20, 2001.
Ferrara, 2001; paperback, pp. 198, 60 col. plates, cm 23x30.
FREE (cover price: € 44.93)
Il cubismo. Rivoluzione e tradizione
Ferrara, Palazzo dei Diamanti, October 3, 2004 - January 9, 2005.
Ferrara, 2004; paperback, pp. 311, b/w and col. ill., 90 numbered col. plates, cm 23x31.
FREE (cover price: € 50.00)
Miró. La terra
Ferrara, Palazzo dei Diamanti, February 17 - May 25, 2008.
Ferrara, 2008; paperback, pp. 224, 68 b/w ill., 82 col. ill., col. plates, cm 23,5x30,5.
FREE (cover price: € 47.00)
Da Braque a Kandinsky e Chagall. Aimè Maeght e i Suoi Artisti
Ferrara, Palazzo dei Diamanti, February 27 - June 2, 2010.
Translation by Archer M.
Ferrara, 2010; paperback, pp. 192, b/w and col. ill., tavv., cm 23,5x31.
FREE (cover price: € 47.00)
History of the World in 100 Objects
Neil MacGregor
Allen Lane
London, 2011; hardback, pp. 736, cm 14,5x20,5.
ISBN: 1-84614-511-2 - EAN13: 9781846145117
Subject: Historical Essays
Languages:
Weight: 1.11 kg
This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentally, as prisms through which we can explore past worlds and the lives of the men and women who lived in them. The book's range is enormous. It begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with an object from the 21st century which represents the world we live in today. Neil MacGregor's aim is not simply to describe these remarkable things, but to show us their significance - how a stone pillar tells us about a great Indian emperor preaching tolerance to his people, how Spanish pieces of eight tell us about the beginning of a global currency or how an early Victorian tea-set tells us about the impact of empire. Each chapter immerses the reader in a past civilization accompanied by an exceptionally well-informed guide. Seen through this lens, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. An intellectual and visual feast, it is one of the most engrossing and unusual history books published in years.
A History of the World in 100 Objects ... has been a triumph: hugely popular, and rightly lauded as one of the most effective and intellectually ambitious initiatives in the making of 'public history' for many decades. -- John Adamson Sunday Telegraph Highly intelligent, delightfully written and utterly absorbing -- Timothy Clifford Spectator Allen Lane has done Mr MacGregor proud... The objects have been beautifully photographed, Mr MacGregor's voice comes through distinctively and his arguments about the interconnectedness of disparate societies through the ages are all the stronger for the detail afforded by extra space. A book to savour and start over Economist This is a story book, vivid and witty, shining with insights, connections, shocks and delights -- Gillian Reynolds Daily Telegraph The style is authentic, personal and humorous. MacGregor could not have skewered our pretensions better...Look on our works, ye mighty, and despair -- Andrew Roberts Financial Times Brilliant, engagingly written, deeply researched -- Mary Beard Guardian Neil MacGregor has been Director of the British Museum since August 2002. He was previously Director of the National Gallery in London from 1987 to 2002.
Baia grande. La pialassa Baiona ultima frontiera per una valle salmastra
Konrad. Per quanto un'oca allunghi il collo non diventerà mai un cigno