L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 59.00)
Inventing late antique reliquaries. Reception, material history, and dynamics of interaction (4th-6th centuries CE)
Palladino Adrien
Libreria Editrice Viella
English Text.
Roma, 2022; paperback, pp. 312, 18 col. ill., cm 17x24.
(Studia Artium Medievalium Brunensia. 12).
series: Studia Artium Medievalium Brunensia
ISBN: 88-3313-867-4 - EAN13: 9788833138671
Subject: Essays on Ancient Times,Historical Essays,Painting,Religious Architecture/Art,Sculpture
Period: 0-1000 (0-XI) Ancient World,1000-1400 (XII-XIV) Middle Ages,1400-1800 (XV-XVIII) Renaissance
Places: Europe
Extra: Religion Art
Languages:
Weight: 0.65 kg
Indeed, how could boxes of various shapes, sizes, and materials become containers to shelter sacred matter?
What materials could be used in reliquaries' making, and what images should adorn them? And how did reliquaries, with their geographical and social portability, contribute to the translocation of site-bound sanctity and the spread of saints' and shrines' networks across the Late Antique world? Tracing the medieval reliquary's "pre-history", this volume examines boxes bearing Christian images and patterns made between the fourth to the sixth century ce.
It investigates how vessels adorned with images acquired meaning and power, exploring the dynamics of transformation that accompany both the creation of these objects and their long history of reuse, marginalization, and rediscovery.
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