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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Monsoons never cross the mountains

Witty Kiwi Books

English Text.
Torino, 2020; paperback, pp. 84, b/w and col. plates, cm 16,5x23,5.

EAN13: 9791280177025

Subject: Photography

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages:  english text  

Weight: 1 kg


A disputed land between India and Pakistan since 1947, Kashmir is today one of the most militarized zones in the world. Soon after gaining independence from the British Empire, the two countries fought a war over Kashmir until the end of 1948. In the same year, the United Nations Security Council adopted the Resolution 47, urging the preparation of a plebiscite in order to let the Kashmiri people decide whether to join India or Pakistan. No such plebiscite has ever been held. Since the Nineties, Kashmir has been witnessing various political uprising against the Indian administration. Every time the Kashmiri people fought for Azadi ("freedom", in Urdu), their struggle has been silenced with blood.
Despite the unpredictable new season of protests, repression and martyrs, the situation has still not changed. The systematic violation of human rights perpetrated by Indian security forces has filled the hearts of Kashmiri men and women with disillusionment, resentment and sorrow. It's a collective grief pushing towards peculiar religious practices, in a desperate search for respite: the veneration of those who sacrificed their lives for the pursuit of Azadi becomes the prosecution of the popular cult of dead Sufi saints. "Monsoons never cross the mountains" is a visual journey through the struggle of the Kashmiri people, trapped in an endless season of sorrow while waiting for the spring of Azadi. It is an attempt to depict the emotional landscape of the valley of Kashmir through the eyes of children, entangled in this cycle from the very beginning of their life.

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