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DEAL OF THE DAY

Giovanni Boldini. Il Piacere

Rovereto, Mart, November 14, 2020 - February 28, 2021.
Edited by Beatrice Avanzi and Tiziano Panconi.
Genova, 2020; paperback, pp. 368, col. ill., col. plates, cm 24x28.

cover price: € 54.00

Giovanni Boldini. Il Piacere

Total price: € 54.00 € 171.47 add to cart carrello

Books included in the offer:

Giovanni Boldini. Il Piacere

Rovereto, Mart, November 14, 2020 - February 28, 2021.
Edited by Beatrice Avanzi and Tiziano Panconi.
Genova, 2020; paperback, pp. 368, col. ill., col. plates, cm 24x28.

FREE (cover price: € 54.00)

Giovanni Boldini. Il Piacere

Ottocento. Catalogo dell'Arte Italiana dell'Ottocento. Vol. 30

Milano, 2001; paperback, pp. 495, b/w ill., col. plates, cm 22x30,5.

FREE (cover price: € 40.00)

Ottocento. Catalogo dell'Arte Italiana dell'Ottocento. Vol. 30

Ottocento. Catalogo dell'arte italiana dell'Ottocento. VOL. 28

Milano, 1999; bound, pp. 800, col. plates, cm 22x30.

FREE (cover price: € 77.47)

Ottocento. Catalogo dell'arte italiana dell'Ottocento. VOL. 28

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Av Maillet d'Argent. Jacques Fornazeris Graveur et Éditeur d'Estampes, Turin - Lyon (Vers 1585 - 1619?)

Librairie Droz

French Text.
GENEVE 12, 2012; paperback, pp. 424, ill., cm 17x24.

ISBN: 2-600-01558-2 - EAN13: 9782600015585

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  french text  

Weight: 1.36 kg


Jacques Fornazeris was active at the court of Savoy at the end of the 16th century, where he engraved portraits and topographical views in the manner of D. Alphani, A. Ardente, J. Kraeck as well as architectural works in the manner of A. Vitozzi. Starting in 1600, when he came to Lyon, and up until 1619, he worked at making not only engravings and drawings but also prints. Other than portraits, he engraved large title-frontispieces for works published by bookseller Horace Cardon and for a clientele supported by the city's Jesuit college. He was among the first, along with L. Gaultier and T. De Leu in Paris, to systematically utilize the burin technique for creating prints for books. He is, in this domain, an important link for understanding the transition from wood to copper engraving. His engravings - which evoke at the same time the art of the goldsmith, embroidery, and illumination - show the personal synthesis that he achieved, using Italian and Flemish models

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci