De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Giuseppe Zecca. Il design come professione
Riccini Raimonda
Skira
Sondrio, Palazzo Comunale, dal 3 maggio 2003.
Milano, 2003; paperback, pp. 128, 20 b/w ill., 130 col. ill., cm 21x21.
(Design e Arti Applicate).
series: Design e Arti Applicate
ISBN: 88-8491-603-8 - EAN13: 9788884916037
Subject: Architects and their Practices,Design
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: No Place
Languages:
Weight: 0.45 kg
Giuseppe Zecca (Sondrio, 1934), an artist by training, became the designer of BTicino at the end of the fifties. His name is linked to products of great significance (Compasso d'Oro ADI Prize for the Living and My Home series). Working in close contact with problems of technology and the market and aware of the creative potential of his profession within the industrial process, Zecca has succeeded in transforming nondescript technical devices into products with an image, of high formal quality.
This book, by drawing attention to the artistic and design work of a protagonist of the best industrial design, assigns him the place he deserves in modern Italian culture.

