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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Carpatcher or Carpaccio? Carpaccio and 19th century anglo-american writers in Venice

Supernova Edizioni

English Text.
Venezia, 2023; paperback, pp. 88, ill., cm 15x21.
(Storia di Venezia).

series: Storia di Venezia

ISBN: 88-6869-322-4 - EAN13: 9788868693220

Subject: Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Languages:  english text  

Weight: 0 kg


The re-discovery of Vittore Carpaccio in the 19th century has been generally attributed to John Ruskin. Is this true? No doubt this is so in the Anglo-Saxon world, as shown by a 1924 story by American writer Edith Wharton, where John Ruskin becomes a fictional character causing the protagonist to change his tastes in favor of the "primitives" and Carpaccio. The focus is then on Ruskin and Henry James, admirers of Carpaccio, and on other great American writers of the 19th century who ignored the painter. An English woman critic, very popular in the 1850s, Anna Jameson, wrote at length on him. By the end of the 19th century seeing Carpaccio was a "must" for visitors going to Venice. The popularity of Carpaccio is reconstructed on the basis of two diaries, Lady Layard's and Zina Hulton's: not only had D'Annunzio a bed like St. Ursula's made for him, but a French lawyer had a whole room like St. Ursula's, in "The Dream of St. Ursula", built for him in his Venetian Palazzo.

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