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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 147.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 59.00)

Caravaggio. La Cappella Contarelli

chiudi

Theodoor Van Thulden. Een Zuidnederlandse Barokschilder

Waanders Uitgevers

French and Dutch Text.
Zwolle, 1991; hardback, pp. 308, 150 b/w ill., 58 col. ill.

ISBN: 90-6630-317-4 - EAN13: 9789066303171

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Places: Europe

Languages:  other, french text   other, french text  

Weight: 1.45 kg


Charm, elegance and refinement. It is with these words that the work of the baroque painter Theodoor van Thulden is best characterised. Van Thulden was born in 1606 in 's-Hertogenbosch, where he also died in 1669. Van Thulden led the life of a prolific artist and worked in Paris and Antwerp amongst other places. He can be regarded as a true seventeenth-century baroque master who was shy neither of the grand gesture nor of the grand format and who felt as at home in colourful compositions teeming with figures, as he did in portraiture or in intimate cabinet pieces. Rubens's influence is unmistakable, but Van Thulden's work has its own identity and breathes its own atmosphere. There are contributions from some of the best international authors and all of Van Thulden's known work is reproduced, most of it in colour.

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