L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
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Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 59.00)
The Temptations of Flora. Jan Van Huysum. 1682-1749
Segal Sam. Ellens Mariël. Dick Joris
Waanders Uitgevers
English Text.
Zwolle, 2007; clothbound, pp. 390, b/w and col. ill., col. plates, cm 25x29.
Other editions available: Dutch Edition also Available. (ISBN: 90-400-8260-X).
ISBN: 90-400-8384-3 - EAN13: 9789040083846
Subject: Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Europe
Languages:
Weight: 2.2 kg
The Amsterdam artist Jan van Huysum (1682-1749) is one of the most important painters of fruit and flowers of all time. His work conveys unsurpassed craftsmanship, a deep attention for the subject matter as well as great refinement and subtlety. He was the best paid painter of the eighteenth century and was regarded as one of the pre-eminent artists of his time. He received commissions from many of Europe's monarchs and aristocracy, received great acclaim during his lifetime and his work has also remained highly appreciated and expensive. His influence on European still-life art remained noticeable for at least a century after his death.
De verleiding van Flora focuses on Jan van Huysum's life, family and background. At the same time his predecessors and followers come to the fore, while attention is given to symbolism, false and genuine, and the numerous wrong attributions and technical aspects of his work.
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