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DEAL OF THE DAY

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).

cover price: € 50.00

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Total price: € 50.00 € 154.00 add to cart carrello

Books included in the offer:

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).

FREE (cover price: € 50.00)

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850

Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.

FREE (cover price: € 60.00)

Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).

FREE (cover price: € 44.00)

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

chiudi

Linguistic analysis in literary appreciation. An approach through feeling

Edizioni Milella

Lecce, 1995; paperback, pp. 390.
(Fuori Collana).

series: Fuori Collana

ISBN: 88-7048-282-0 - EAN13: 9788870482829

Places: Europe

Languages:  italian text  

Weight: 1.87 kg


"The key to this linguistic approach to literary appreciation is the firm belief that in whatever we read, there can be but one interpretation: the one willed by the author. If the author is to convey what he feels, it is not enough for him to describe it: he must provoke a reaction which will evoke that self-same feeling in the reader. He must use all the means in his power to evoke that feeling. In the words of John Middleton Murry: 'to communicate an emotion is to impose an emotion' I The effort the author makes is immense: the more strongly he feels about something, the more intense the emotion, the greater his need to share it, and the greater the effort he must make.
We know that in order to share his experience with mankind the author is writing all the time at different levels, establishing different points of contact with different people and a personal relationship throughout with each. For us, this experience begins the moment we feel the impulse to read the work: Whatever urged us to do so is our point of contact with the author."

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