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DEAL OF THE DAY

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).

cover price: € 50.00

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Total price: € 50.00 € 154.00 add to cart carrello

Books included in the offer:

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Firenze, Galleria degli Uffizi, September 18, 2019 - January 12, 2020.
Edited by Bellesi S., Gennaioli R. and Schmidt E. D.
Livorno, 2019; hardback, pp. 400, 550 col. ill., cm 24x28.
(Le Gallerie degli Uffizi).

FREE (cover price: € 50.00)

Plasmato dal fuoco. La scultura in bronzo nella Firenze degli ultimi Medici.

Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850

Co-Editore: Omega Arte.
Torino, 2002; paperback, pp. 182, b/w ill., 102 col. ill., col. plates, cm 21x28.

FREE (cover price: € 60.00)

Gli Splendori del Bronzo. Mobili ed oggetti d'arredo tra Francia e l'Italia. 1750-1850

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).

FREE (cover price: € 44.00)

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

chiudi

Oral transmission and written translation: a self-study reference

Edizioni Milella

Lecce, 1999; paperback, pp. 202.
(Fuori Collana).

series: Fuori Collana

ISBN: 88-7048-336-3 - EAN13: 9788870483369

Languages:  italian text  

Weight: 0.97 kg


Translating a translation of a translation is a singular experience. It is as if we were pentrating to the core of the original and at the same time feeling in our soul the expanding growth of thought and meaning conveyed by the translations. When, as in our case, we are translating from Italian to English knowing that the text is from a French version of the Ancient Greek, it is as if we were holding not a pen but the essence of life itself in the palm of our hand. And when we think that the Fables of Aesop were told over and over again, handed down from generation to generation, before they were actually written down, and that no two versions were exactly alike in the telling, we realise more and more that we are part of the great chain. What we are translating is not words from one language to another, but an emotion, a concept, a feeling, 'translating in essence' from one culture to another, from one moment in time to another with each culture feeding on that which has gone before. When we translate, however faithful we are to the orginal, we too are telling the story in our own words, giving each one of us yet another version of the story according to our own experience, culture, outlook, and vision of life, saying what we would say in the circumstances. Each version is unique, but part of the great whole which is all languages in time and place that will go on existing for ever and ever.

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